Painting psychology is only about why we paint, or create, or for that matter, are good at our jobs.
I’m a painter. I’m not even ashamed to say so. The palette knife is my favorite tool but I do use the brush. I’m not the worst or even in the middle among the millions of artists around the world. I see art as a need not a hobby. This blog is about helping you transition from hobbyist to a serious artist
Some color theory will go a long way toward mixing accurate colors.
Today we dive into color theory and I apologize in advance if it gets complicated, but I will try to keep it in layman’s language. The science of color is a field unto itself, but we are only going to touch the big ideas. We almost never want to use a tube color on the canvas since it is always garish.
There is something called Painterliness. This describes a painting done in a style that celebrates the medium used.
There is something called Painterliness. This describes a painting done in a style that celebrates the medium used. Instead of hiding the brushstrokes of knife texture, we want to enhance it, even exaggerate it.
There’s something poetic about abandoned buildings that have a special appeal to painters
There’s something poetic about abandoned buildings that have a special appeal to painters. Numerous historic mine sites abound in Cobalt Ontario. I chose to give old cement in the ruins of an old mine mill some life, simply by changing the color of the century-old cement slabs.
make the viewer feel the majesty and grandeur of rocks
Start With a Reference Photos
I wanted to make the viewer feel the majesty and grandeur of rocks. No object is included this time to give the rocks an indefinite scale, so they could only look at the nearly abstract quality of the rock facets.
I began by taking pictures of a rock-cut beside the highway near where I live in northern Ontario. Then I chose four photos and printed them out on 8×11 medium quality paper. I didn’t use photo paper as it was a waste since the pictures were only for reference.
This was supposed to be a mosaic-style painting, using the one-touch approach. I had such wonderful plans for this painting, but it careened out of control before I recognized it. This is an example of how NOT to do a painting. I truly believe that the best examples are someone’s mistakes. So I will tear me up, not someone else.